 |
|
|
  |
|
           |
 |
ARTIST: Darci Cash
TITLE: In The Company Of Strangers
DATE: 2006/12/13
FORMAT: CD
PRICE: 2,100yen
|
| |
|
DARCI CASH " In The Company Of Strangers
TTR-202CD \2,100
冬空の大都会で懸命に咲くインディーポップの花、ダーチキャッシュ日本デビュー！ デスキャブやメリル、オーウェンに通じる本当に切ないギターの旋律、決して派手ではないがエモーショナルで心に響く琴線直撃メロディー。LA各誌にその独特の歌声を絶賛されたBenと紅一点Ashlyの絡みは特に秀逸。
ボーナストラック2曲収録、
解説：DAWA（Flake Records)、歌詞・対訳付、2006年12月13日発売
| Track Lisiting: |
|
1. Friends & Stranger |
|
2. Goodbye |
 |
3. In The Corner |
|
4. Last Conversation We'll Ever Have |
| |
5. June |
|
6. The Faithful Cynic |
| |
7. (Sixties Pop) |
| |
8. Honey |
|
9. The One With All The Silence |
|
10. Sunshine (At My Funeral) |
| |
11. Let Me Lie |
|
12. Where We're Off To |
| |
13. The Television And The Bathtub* |
| |
14. You're Hardly Moving*
|
*Unreleasd Tracks For Japan Only
彼らは絶対ビッグになる・・。他の誰かに目をつけられる前に君がチェックして！.
Liz E(Freezepop)
FOR FANS OF
Death Cab For Cutie, Bright Eyes, Maritime, Owen, Pinback, The Shins, Grandaddy, American Football, Pedro the Lion, Headphones, The Getup Kids, Elliott Smith, The Promise Ring |
 |
|
|
|
|
| THE STRANGER (Seattle, WA) |
| On record, Darci Cash make pretty, melodic pop laced with a tinge of bittersweet attitude and endearing male/female harmonies. Reminiscent of acts such as Death Cab for Cutie and the Jealous Sound, the Californian quartet dynamically switch back and forth between beautiful calamity and subtler emotional explosions. On stage, though, they really shine, with tight, sturdy vocals and energetic outbursts and smiles that make the performance the cutest thing you've ever seen or heard. |
| SKRATCH MAGAZINE (Los Angeles, CA) |
| I didn't have to wait long before Darci Cash took the stage. I wasn't sure what was about to stuff my ears, but the band broke into an amazing set. Their music was eclectically poppy and fun. At the first song I was nodding my head, by the fourth I was swaying around, and during the last couple songs I was bopping around, grinning and laughing. For once I didn't mind looking at the sweaty musicians,
because it felt as if they were connecting with every damn person in the room - a rarity |
| LOST AT SEA MAGAZINE |
| Music is a little like humor, in a way - there's a fine line between "stop me if you've heard this one before" and "good every time you hear it." Darci Cash may sound like vintage Jimmy Eat World, but their music still strikes a chord. Oceanic rising and crashing dynamics, swells of emotion and a relatable voice, you'll recognize it all immediately, and if you clung to Clarity, you'll likely show Darci Cash your favor as well. The group does manage to vary its influences as it goes, too: "Goodbye" is Pavementesque and sprightly in places, "June" sounds like a newly distorted Low track for a very brief moment and "Honey" is a little reminiscent of a Built to Spill pop song. Through and through, the songs avoid an overly emo trap, dodging the usual woeful bullet to instead be thoroughly affirming, these numbers manage to make you feel pretty good. The songs stand on their own, as does the band, even with its evident ancestry, and you're left with a feeling of pleasantness and sheer likeability. And really, that's never a bad first impression to make |
|
|
|
|
|
|
